I did notice, however, the double big cats ( OCELOT and CHEETAH) and I enjoyed both the Falco and EDIE Falco references. My mom enjoyed how CIG and KEG were next to each other, which I hadn’t even noticed. I FEEL SICK and ANCHOR LEG are great across answer bonuses, which can be a rarity. I liked the misdirection on the 40d clue for TEND BAR and the wide open NE and SW corners. Neither of us knew Jean GENET, but other than that the fill is solidly Monday level. We had different mistakes for SLED RIDE – she had “sledding” and I had, uh, “sleeps in”, and we both agreed the phrase itself feels a tiny bit off, but it’s still fun and evocative. As a musical theater kid, I did love the inclusion of FEED ME SEYMOUR.īoth my mom and I agreed that the fill here was good overall. I personally don’t mind the lack of revealer, but it would be nice if the phrases had a bit more in common than just their structure if that structure is relatively common. hair, but I would call it fur, really – I kept wanting it to be a Raggedy Ann answer). Here’s my mom’s take: “Why is there no revealer? It needs something to tie it all together… actually, why is TICKLE ME ELMO there? That’s not a song! Everything else is a song!” I agree with her in regards to that second point – TICKLE ME ELMO feels like an outlier here (and I guess Elmo has red…. I’ve been hanging out with my family this weekend, which gives me a fun structure for this recap – my mom (in her words, “a regular but non-fanatical solver”) and I solved this puzzle separately and compared notes. There's a cutthroat blonde (Melinda McGraw), a black woman who makes fun of her token status (Joanne Walker) and a nervous network president always on the verge of being fired (Ed Begley Jr).New York Times, 11 15 2021, By Ian Rathkey There's a naïve Midwesterner, Dave (Ivan Sergei), who comes to work at the network and turns out to be a survivor even if he does have scruples. The title is so bad, so desperate the network might as well have called the series ''DOA.'' Set behind the scenes at the fictional IBS television network, it trots out stereotypes and doesn't even try to add a fresh spin. Yes, ''Wednesday 9:30 (8:30 Central)'' is the name of the latest show from the usually savvy producer Peter Tolan (''Larry Sanders'' and ''The Job''). Levy can find the humor in this character simply by raising an eyebrow, but his satiric take makes him look stranded in this strained, deadly show. The only happy accident here is that Eugene Levy plays Greg's boss, a smarmy, dissembling producer. Instead, ''Greg'' is a tossed-together mess of inside-showbiz jokes and crude humor. Greg, the bunny puppet, has a loser of a human roommate (Seth Green), who accidentally helps him become the star of a puppet television show, ''Sweetknuckle Junction.'' The ''Sweetknuckle'' puppets resemble ''Sesame Street'' characters, but they drink, pop pills and backstab just like humans, which doesn't automatically make them funny. There's a difference between a quirky idea and a good quirky idea, and that difference is conspicuous in this series about puppets who are alive. The television audience learns that George Lopez might have the presence to keep this obvious sitcom alive. In a future episode, George has to deal with his teenage daughter's dating and gets so unhinged he snoops in her e-mail. And as in those shows, the wife and children are centered personalities (nicely and naturally acted here), while the father goes wild. ![]() Benny has a trace of an accent, but the show is about those universal family issues that Damon Wayans, Bernie Mac and Jim Belushi, the television dads of the moment, are already passing around. George's mother, Benny, expresses her love by insulting him, a joke that gets tired fast. ![]() George gets to tell his mom, ''You're fired,'' a move that makes up in wish fulfillment what it lacks in realism. He has worked for years on an assembly line at an airplane-parts factory (the set looks so small and cheap they must be making model planes), and in tonight's episode he is promoted to manager, which makes him the boss of his best friend and his mother. The character of George has a wife, son, daughter, a nagging mother and a new job. His personality and energy go a long way toward making his show amiable. He turns out to be a funny guy, a stand-up comedian whose routine leans on his Mexican-American culture, and an actor in small films (including ''Real Women Have Curves,'' a recent favorite at the Sundance and New Directors Film Festivals). Never mind what ABC says about its star hardly anyone has a clue who George Lopez is. Of the three shows that begin tonight, only ''George Lopez'' is worth a glance. Passing through the revolving door of new sitcoms are a Latino father, a living puppet and the staff of a fictional television network that scent in the air is one of slapdash desperation.
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